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Kevin L. Stoehr [5]Kevin Lawrence Stoehr [1]Kevin Leaves Stoehr [1]
  1. Ciphers of transcendence in 2001: a space odyssey.Kevin Leaves Stoehr - 2019 - In David P. Nichols (ed.), Transcendence and Film: Cinematic Encounters with the Real. Lexington Books.
     
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  2.  15
    Kubrick and Ricoeur on Nihilistic Horror and the Symbolism of Evil.Kevin L. Stoehr - 2001 - Film and Philosophy 4:89-102.
  3. Michael Haneke and the consequences of radical freedom.Kevin L. Stoehr - 2011 - In Jean-Pierre Boulé & Enda McCaffrey (eds.), Existentialism and Contemporary Cinema: A Sartrean Perspective. Berghahn Books.
     
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  4.  6
    The Dialectical Approach to the Art of the Moving Image.Kevin L. Stoehr - 2006 - Film and Philosophy 10:99-115.
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  5.  48
    The Virtues of Circular Reasoning.Kevin L. Stoehr - 2000 - The Proceedings of the Twentieth World Congress of Philosophy 5:159-171.
    This paper examines Hegel’s chief paradigm for interpreting his dialectical method, which is that of circularity. The position that Hegel’s Logic (whether Greater or Lesser) begins without presuppositions loses validity upon clarification of this model of reasoning. Philosophy must begin necessarily with presuppositions, according to Hegel, and can only be justified adequately by explaining those presuppositions while also reflecting upon its own immanent method of explanation. Philosophy must therefore be self-reflexive, immanent, and systematic (or holistic). Such a view of philosophy (...)
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